Tuesday, February 15, 2011

Girls Like Us: Kelly Clarkson, P!nk & the Max Martin Factor (Pt 1)

In many ways, I've felt like Kelly Clarkson sings my life. Just like Taylor Swift yesterday, Kelly Clarkson has sung so many songs that tell my story and tell the story of so many young women and men. That could make her one of the Girls Like Us. I also would posit that Pink could make the same claim.

Kelly made a splashy entrance into the pop world with her win on the inaugural season of rating juggernaut American Idol in 2002. Her debut album was the usual pop fare, with 16 producer credits and 26 writers (including Clarkson herself on 4 tracks.) It produced a couple of decent singles, including the smash "Miss Independent" which was originally written with Christina Aguilera in mind. While the result was pleasant pop/rock music with r&b undertones the only saving grace was Kelly amazing voice.

In a similar vein Pink released her debut album Can't Take Me Home in 2000. Like Kelly's debut, the album had a strong theme but didn't seem connected to the artist in any way. With 8 producers and one song alone boasting 9 writers, it was a standard pop release with very little artistic aim. One way Pink did put her stamp on it was with her brash attitude, which would remain a recurring theme on her later releases.

In 2001 Pink released her sophomore disc M!ssundaztood. This time the young pop star took more control, contacting Linda Perry of 4 Non-Blondes out of the blue to ask her to produce some songs. The album had a blend of pop, rock and r&b influences but seemed to be the work of one artist. Pink's attitude bloomed fully, with angry tracks like "Don't Let Me Get Me" and "Just Like A Pill" showing a self-destructive side that would resonate with an increasingly angry young America. Pink also showed the vulnerable side that would underscore the basis for such anger, with the tender ballad "Family Portrait" about the aftermath of her parent's divorce.

Pink would go all the way around the bend to rock on the lead single for her third commercially disastrous album Try This. "Trouble" has the singer in full bad-ass mode, but it's somewhat noticeable that her heart wasn't in it. Follow up single "God Is A DJ" is more fun, but the personal side of Pink wasn't carried over from the prior release.

Meanwhile, Kelly Clarkson headed to Sweden to record a song written for her by pop masterminds Max Martin and Dr. Luke. Kelly had hoped to expand her songwriting skills on her sophomore album, but "Since U Been Gone" was non-negotiable. Despite the fact she didn't write the song, it will forever be her defining hit. She sings the angry rock song like she means it, which puts her in a league of master song-interpreters.

She did get to put her songwriting skills to the test for Breakaway, though. She co-wrote the single "Behind These Hazel Eyes" with Martin and Luke, resulting in a blistering attack song that shows the fury of a woman scorned. She slowed it down for the most personal song of her career, "Because Of You" The ballad relays the pain that resulted from her parents divorce and her strained relationship with her mother when she was 16. It's one of the songs that resonates most with me, and I would imagine with anyone who has felt leaned on too much by a parent.

"Because Of You" would net Clarkson an ASCAP award for songwriter of the year and would be remade by Clarkson and country legend Reba as a duet.

Pink's star rises again, Kelly's falters: tomorrow in Part 2.

These are the songs that make Pink and Kelly Girls Like Us:
"Family Portrait" (from Pink's M!ssundaztood)


"Don't Let Me Get Me" (from Pink's M!ssundaztood)


"Because Of You" (from Kelly's Breakaway)


"Behind These Hazel Eyes" (from Kelly's Breakaway)

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