Five Ten Songs On Shuffle, Volume 21

This is the twenty-first installments of my weekly blog entry series "5 Songs On Shuffle." Normally I’d put my iTunes on shuffle and blog about the first five songs that play, but since I forgot one last week I'm doing ten songs. It's only fair!

"What I Like About You" - The Romantics The Modern Edge
Long before it was the theme to the unfortunate sitcom starring Amanda Bynes and Jenny Garth, this was a karaoke favorite and bouncy sing-along punk song. Despite the harmonica, which is my most hated instrument of all time, it's so darn fun to sing I had to have it on the 'Pod.

"Thriller" - Fall Out Boy Infinity On High
Ooh, Mr. Carter intros the best punk-pop band of the '00s! Can it get anymore celeb-centric? "Thriller" might share the title with a classic Micheal Jackson album/song/video but it's not quite the same. Almost as catchy, though.

"Streets Of Philadelphia" - Bettye LeVette Song Of America
Maybe you don't remember, but there was quite a bit of talk late last year about Janet Reno and her nephew-in-law curating this three disc collection of American music from the 1400s to the present, much of it performed by indie and folk artists. Bettye LeVette is a soul diva who was shut out of the industry as a young person in the 1970s, but has had two well reviewed discs come out in the past couple years. She brings even more emotion to this Bruce Springsteen hit, as you would expect from a big beautiful black woman.

"Love You I Do" - Jennifer Hudson Dreamgirls Motion Picture Soundtrack
Speaking of big beautiful black women, my Oscar-winning girl J.Hud sounds sooooo good in this song, written just for the film version of Dreamgirls. She has such a strong voice, perfect for this sunny Motown-biting love song.

"When In Rome" - Nickel Creek Reasons Why: The Very Best
This song was the whole reason I bought the best-of collection by the now-defunct alterna-bluegrass trio. With a writing scheme more REM than Soggy Bottom Boys, but capturing the tradition elements of fiddle and mandolin, a new sound was born. Without Nickel Creek, I don't think I could have appreciated new variations on acoustic music like Jay Brannan's stuff as much as I do.

"Anyone Else But You" - The Moldy Peaches Juno
The lo-fi acoustic sound is almost amateurish, but the sentiment and writing on this song is stellar. Just sweet but strange, just like Juno herself. And seriously, I just imported this CD from the disc I borrowed from the library this afternoon, and it's already popping up on random.

"Mississippi Goddam" - Nina Simone Verve Jazz Masters 17
After one of the many racial-related crimes in the south, Nina wrote this bitter song in response. A super-simple piano line underlines the deservedly venomous lyrics about the broken trust between African-Americans and the rest of the nation. "Everybody knows about Mississippi goddam!"

"An American Crime (End Credits)" Petra Haden, Composed By Alan Lazar An American Crime
Petra Haden is known for her a capella work, like her brilliant cover of "Don't Stop Believin'" from the Guilt By Association album. Alan Lazar takes her wordless vocals and layers them in an increasingly creepy way, building up like strings in a traditional score before breaking into a piano solo and then returning to the vocals. Seriously, one of the scariest scores I've heard in a long time.

"My Interpratation" - MIKA Life In Cartoon Motion
Not one of the best songs from his poppy debut disc, but still a serviceable adult-rock style pop song. I just unchecked from my iPod, I'm out of room and need to add some of my newer acquisitions.

"U + UR Hand" - Pink I'm Not Dead
Yeah, it's just a dirtier version of "Since U Been Gone" (Max Martin wrote both songs) but it's still a classic in the dirty-pop tradition. Also, the best masturbation song since "She Bop"

We're Halfway There... (Part Two)

OK, here are the top 15 non-pop-hits of 2008 (so far...) By non-hits, I mean they may have received some airplay, but they don't come close to the mostly top ten hits I blogged about on the last list. And most I never even heard on the radio, I had to learn about these amazing songs via the Internet. Honest to blog!

Paulbo's Top 15 Non-Hits of 2006.5

15. Petra Haden - "An American Crime (End Credits Theme)" (non-charting)
Composer Ari Alan Lazer creates a brilliant "instrumental" piece to cover the end credits of the true crime film An American Crime. The instruments in question are Petra Haden's vocals, all A Capella and layered to create on of the scariest sounding themes I've heard, before breaking into an even creepier piano line. I've never seen the film, but if the music is this terrifying, who knows what the images will do to my brain.

14. Madonna - "Devil Wouldn't Recognize You" (non-charting)
From the opening bars to Timbaland's scattershot beat to the creepy pianos, this modern ballad (ala "Cry Me A River") is as haunting as possible. It wasn't easy to pick just one track off Hard Candy for this list, but besides the single "4 Minutes" this one of the very best.

13. CSS - "Music Is My Hot Hot Sex" (#63, Hot 100 Chart)
The thumping beat, the grinding guitar riff, the provocative lyrics, the obvious iPod commercial. Why this isn't a much bigger hit, I don't know. Besides perfectly describing my life (music is not only my hot, hot sex, it's my boyfriend; my imaginary friend; from all the shit, the one I gotta buy is music) it's just an great dance-rock/art-rock track.

12. Duffy - "Mercy" (#27 Hot 100 Chart)
If the organs and the strange drum track at the beginning of the song aren't enough to convince you that Duffy is part of the revived Northern Soul scene in the British Isles, then the throwback Dusty/Aretha smoky vocals should. Calling Duffy an Amy Winehouse without the crack pipe is overkill, for sure. But while her songs don't have the torrid strength of "Back To Black" between this minor US hit and the gorgeous ballad "Warwick Avenue" there is definite possibilities in the blond Welsh's future.

11. Robyn - "Be Mine! (Ballad Version)" (non-charting mix)
As if the original version of this song, from the brilliant album Robyn, wasn't heartbreaking enough, along comes this piano ballad version from The Rakamonie EP. The torch-fueled lyrics reveal further anguish through the broken vocals of the Swedish sensation. Either version should be on your iPod.

10. Katy Perry - "UR So Gay" (#1 Hot Dance Singles Sales)
In this biting indictment of a emo boyfriend who wears H&M scarves, MySpaces all day and is "so indie-rock it's almost an art" Katy Perry sashays her way into the hearts of fans of Lily Allen's breed of bratty pop. The kicker, while her boyfriend is so gay, he doesn't even like penis!

9. Sam Sparro - "Black & Gold" (non-charting in US, UK #2)
This electro-funk track from gay techno star Sam Sparro deserves some spin on his home turf, not just on Euro charts. The chorus is catchy as hell and a little nonsensical, but the synth beat is where it's at!

8. Santogold - "L.E.S. Artistes" (US B-side, UK #27)
Former A&R rep Santi White is a friend of one of my favorites, M.I.A., and appeared on one of my top 14 albums of last year, Mark Ronson's Version. So little wonder I'm in love with her future/retro-fetishizing album, and the B-side to lead single "Creator" which is also quite good. You can dance to it, sing along to the chorus "I can say I hope it will be worth what I give up" and laugh along with Santi at modern hipsters, those "fast talkers."

7. Doe Deere - "One Touch" (non-charting)
Brooklyn-based disco diva Doe Deere has been burning up the pop blogs, topping Electroqueer's chart for four weeks. Her music sounds like Blondie and Madonna fighting over a Depeche Mode cover band gig, or like every '80s hit ever. Plus, she has a free download of this stunning dance track on her MySpace, click on the link above to get there. Free music that's good? I'm so there...
6. Robyn feat. Kleerup - "With Every Heartbeat" (UK #1, Hot Singles Sales, #4)
It never fails to make my hair stand on end, this gorgeous techno ballad; emo-tronic if you will. The strings swirl around Robyn's voice and the beat underscores the sadness of the lyrics. When the string quartet gives way to the keyboard tones and Robyn bursts forth with "And it hurts with every heartbeat..." on the bridge I just want to cry. Seriously, I know I say this every week or so, you NEED to buy the Robyn album. It's finally available in all the record shops here in the states, not just as an import.

5. Estelle feat. Kanye West - "American Boy" (#35)
It's weird, but Estelle sounds like what Corrine Bailey Rae would sound like as a hip-hop artist. The electric guitar is used more as beat than melody, which is intriguing, and the line "Don't like his baggy jeans/but I'ma like what's underneath 'em" makes me chuckle. Sure Estelle, I'll be your American boy...

4. Amy Winehouse - "F*** Me Pumps" (UK #65, US non-charting)
From the US release of Amy's 2003 UK debut, Frank, comes this sassy R&B track about gold-digging hos who "walk in the bar/dressed like a star/rockin' those F-me pumps" but never find love. While her debut doesn't have the same number of insanely well-written songs on it as Back to Black this song ranks as high as "Rehab" in attitude and hooks.

3. Kerli - "Love Is Dead" (non-charting)
Kerli is from Estonia, which I understand is not as mud-and-swine filled as Dilbert would have us believe. Her stunning video for "Love Is Dead" is what first drew me to her, in it she ages backwards from an ancient crone to a young blond with lebre and tongue piercings. But the song, oh the song! Kerli's emotional meditation on the end if a relationship melds so perfectly with the huge drum loop and strings before bursting into the chorus of "Love is dead/love is gone/love don't live here anymore" sung by a creepy chorus. It sounds like she should be soundtracking Tim Burton films, which is a total compliment. The Kerli EP is available now on iTunes.

2. Goldfrapp - "A&E" (Hot Dance Singles Sales #1)
Wikipedia describes this as a folk-tronica song, and that fits as well any description. It's techno, but much more organic sounding. But the lyrics are what have me hooked. Intensely descriptive of a trip to the Accident & Emergency ward (hence the title) after a post breakup suicide attempt. At least that's what I get out of "I'm in a backless gown/on a pastel ward that's shining/think I want you still/but there may be pills at work"

1. Snoop Dogg feat. Robyn - "Sexual Eruption (Fyre Department Remix)" (non-charting mix)
All the best parts of the original are here: the absolutely filthy lyrics, Snoop's vocoded singing, the rap. But add in a new chorus by Robyn (making her third entry on my chart, cause she rocks so fucking hard!) plus a greatly improved beat (dropping the flutes, adding the funk guitars) and you have the best remix of the year. "Sexual eruption/cuddle up little pup/sexual eruption/mama's gonna sex you up" is so hard core, and miles ahead of Lil' Kim's remix.

Betwixt The Covers: The Mixtape

Mixwit.com is a fierce website brought to my attention a while ago on the Pop Candy blog, which is a must-read blog for pop culture junkies like me. You can create a digital mixtape, which can then be posted on a blog like this one, (or on your MySpace or Facebook or personal website) I finally had time to sit down and make a mixtape of cover songs that I love, and add a spicy title: Betwixt The Covers.

Some of these are naughty hip-hop songs covered in a more earnest style, like Jill Sobule's folksy take on Nelly's "Hot In Herre" or Alanis's emo-piano version of Black Eyed Peas ode to T&A, "My Humps." Others find the emotional connection in a fluffy pop song and twist it's heartbreaking core, like Grizzly Bear's Daniel Rossen does to JoJo's "Too Little Too Late."


Some are just brilliant takes on brilliant songs, like k. d. lang's masterful cover of Leonard Cohen's modern standard "Hallelujah" or the way Petra Haden recreates Journey's "Don't Stop Believin'" (guitar solos and all) using only her voice. Mary J Blige proves that you just need to add a soulful black lady to any song to improve it, just look at her version of "One" by U2. The most beautiful nonsense song of modern times, "Stars Go Blue" by Ryan Adams gets a shimmery pop sheen from Irish group The Corrs. Bryan Adams' "Heaven" was remade into a dance floor anthem a few years ago by DJ Sammy, but the Candlelight Remix is a stunning piano ballad version that will bring a tear to your eyes.


Other's just switch up the gender vocals without disturbing the gender pronouns, like the Artic Monkey's drumtastic reading of Amy Winehouse's "You Know I'm No Good" or the Of Montreal version of M.I.A.'s cover of "Jimmy" from the Bollywood film Disco Dancer. It's often just straight up fun, like Britney Spear's "Toxic" covered by Mark Ronson, with a filthy rap from the late Ol' Dirty Bastard, which defies description.


I could have done a mixtape of just David Cook's brilliant covers from American Idol, like "Little Sparrow" and "Billie Jean", but I already did that for three people this week. Instead I'm just including the cover that could have been a radio hit by Goo Goo Dolls or Lifehouse, his take on Mariah Carey's torchy stalker anthem "Always Be My Baby"


And what cover collection would be complete without Rihanna's "Umbrella"? I went with the version that conveyed the most emotion, by Manic Street Preachers, but you can find covers by Marie Digby, Tegan & Sara, Plain White T's, My Chemical Romance and Mandy Moore elsewhere online.