In the pantheon of emotional trickery in music videos, nothing beats a camera closeup that captures the tear streaked face of a (usually young, pretty) woman. Let's take a look...
Of course, the granddaddy of all close up cry shots is Sinéad O'Connor's MTV Video of the Year winning clip for "Nothing Compares 2 U" The shot is so powerful, you forget the rest of the video exists.
Kelly Clarkson's video for "Because Of You" has more plot than the others, but the shots of a blond Clarkson singing into the mirror are more interesting than the "TV movie of the week" action scenes with the little girl. She acts quite well in some of them, but just before the bridge we see the emotion welling up and she cries real tears with that ugly scrunched up cry face that Amber Tamblyn does so well.
Meanwhile, Duffy uses the crying game to distract for the sleepiness of her single "Warwick Avenue." It's a very pretty cry, her mascara running like a drag queen doing a dramatic lipsync. I don't mean to make fun, but it's a little obvious that it's meant to tug at heartstrings. Watch here.
Janelle Monáe does an almost direct homage to Sinead's weepies on "Cold War" - down to the way the shot is framed for much of the video making her seem bald. But when she has her first well of emotion, she goes nuts with a head tremble that turns into the shakes. It's another minute before the real, glistening tear rolls out and streaks her youthful cheeks. Girl knows how to do it!
Showing posts with label Duffy. Show all posts
Showing posts with label Duffy. Show all posts
Wednesday, March 9, 2011
Sunday, August 17, 2008
Those Are The Videos Of The Year?
It's true, I am an old person trapped in an almost 25-year-old body. I will freely admit this. But please tell me I'm not the only one disappointed in the 2008 Video Of The Year nominees! Check out the noms here.
First off, the Pussycat Dolls had some hot videos off their first disc, I'm not gonna lie. I loved "Buttons" and "Beep." But "When I Grow Up" is the dumbest "song" I've heard in ages, and the video does absolutely nothing for me. They dance on top of cars (just like in "Wait a Minute") and on scaffolding (just like Paula Abdul) and on the sidewalk (just like "Singing In The Rain") The shot of them dancing in front of a lit-up "PUSSYCAT DOLLS" features some decent dancing, but I've seen better in a Danity Kane video. And the Day-Glo outfits? That pink jacket worn by Nicole should be reason enough to bar this video from being seen by people who are not legally blind.
The Jonas Brothers are an unstoppable force, I get it. I heard "Burning Up" played twice at a gay bar this weekend, which makes me think the DJ was a Boy Scout going for his pedophile badge. But the video treatment that's nominated is NOT the one they are playing on MTV. I've seen the JoBros way too many times on the MTV and all they do is play by the pool. But the version on the Nominees page is cut between the poolside pickups and some goofy fake action movie scenes. It's cute, but it should hardly stand next to "Video Of The Year" winners like "Nothing Compares 2 U" or "Work It"
I'm in love with "Forever" by Chris Brown. The video is pretty meh, but I can't hate on the amazing song. Never gonna win, though. And Britney's surprisingly self-aware look at the tabloids that she toys with and engages in a torrid love/hate affair with in "Piece Of Me" would be my pick for "Video Of The Year" if it weren't for the stunning Chic-meets-White Stripes fun of The Ting Tings' "Shut Up And Let Me Go." That song is catchy, quirky, new and worthy of being nominated. The video is cool, too...
So who should have been nominated? First big snub is Leona Lewis, who may not have had a showstopper of a video in "Bleeding Love" but that song is so freaking major, I would have nominated it anyway. And Eryka Badu's "Honey" was one of the coolest things I've seen all year, with the recreation of classic album covers like Let It Be. Duffy got all emotional and real with her second single "Warwick Avenue" which deserves some love. Who can forget Robyn? Any one of her videos are miles ahead of the competition. Mariah Carey got silly with 30 Rock's Kenneth The Page in "Touch My Body"'s nerd-centric fantasy gags. And for giving even gay guy's wood with her lipstick lesbian ways, Katy Perry deserves a nod for "I Kissed A Girl."
First off, the Pussycat Dolls had some hot videos off their first disc, I'm not gonna lie. I loved "Buttons" and "Beep." But "When I Grow Up" is the dumbest "song" I've heard in ages, and the video does absolutely nothing for me. They dance on top of cars (just like in "Wait a Minute") and on scaffolding (just like Paula Abdul) and on the sidewalk (just like "Singing In The Rain") The shot of them dancing in front of a lit-up "PUSSYCAT DOLLS" features some decent dancing, but I've seen better in a Danity Kane video. And the Day-Glo outfits? That pink jacket worn by Nicole should be reason enough to bar this video from being seen by people who are not legally blind.
The Jonas Brothers are an unstoppable force, I get it. I heard "Burning Up" played twice at a gay bar this weekend, which makes me think the DJ was a Boy Scout going for his pedophile badge. But the video treatment that's nominated is NOT the one they are playing on MTV. I've seen the JoBros way too many times on the MTV and all they do is play by the pool. But the version on the Nominees page is cut between the poolside pickups and some goofy fake action movie scenes. It's cute, but it should hardly stand next to "Video Of The Year" winners like "Nothing Compares 2 U" or "Work It"
I'm in love with "Forever" by Chris Brown. The video is pretty meh, but I can't hate on the amazing song. Never gonna win, though. And Britney's surprisingly self-aware look at the tabloids that she toys with and engages in a torrid love/hate affair with in "Piece Of Me" would be my pick for "Video Of The Year" if it weren't for the stunning Chic-meets-White Stripes fun of The Ting Tings' "Shut Up And Let Me Go." That song is catchy, quirky, new and worthy of being nominated. The video is cool, too...
So who should have been nominated? First big snub is Leona Lewis, who may not have had a showstopper of a video in "Bleeding Love" but that song is so freaking major, I would have nominated it anyway. And Eryka Badu's "Honey" was one of the coolest things I've seen all year, with the recreation of classic album covers like Let It Be. Duffy got all emotional and real with her second single "Warwick Avenue" which deserves some love. Who can forget Robyn? Any one of her videos are miles ahead of the competition. Mariah Carey got silly with 30 Rock's Kenneth The Page in "Touch My Body"'s nerd-centric fantasy gags. And for giving even gay guy's wood with her lipstick lesbian ways, Katy Perry deserves a nod for "I Kissed A Girl."
Sunday, June 22, 2008
We're Halfway There... (Part Two)
OK, here are the top 15 non-pop-hits of 2008 (so far...) By non-hits, I mean they may have received some airplay, but they don't come close to the mostly top ten hits I blogged about on the last list. And most I never even heard on the radio, I had to learn about these amazing songs via the Internet. Honest to blog!
Paulbo's Top 15 Non-Hits of 2006.5
15. Petra Haden - "An American Crime (End Credits Theme)" (non-charting)
Composer Ari Alan Lazer creates a brilliant "instrumental" piece to cover the end credits of the true crime film An American Crime. The instruments in question are Petra Haden's vocals, all A Capella and layered to create on of the scariest sounding themes I've heard, before breaking into an even creepier piano line. I've never seen the film, but if the music is this terrifying, who knows what the images will do to my brain.
14. Madonna - "Devil Wouldn't Recognize You" (non-charting)
From the opening bars to Timbaland's scattershot beat to the creepy pianos, this modern ballad (ala "Cry Me A River") is as haunting as possible. It wasn't easy to pick just one track off Hard Candy for this list, but besides the single "4 Minutes" this one of the very best.
13. CSS - "Music Is My Hot Hot Sex" (#63, Hot 100 Chart)
The thumping beat, the grinding guitar riff, the provocative lyrics, the obvious iPod commercial. Why this isn't a much bigger hit, I don't know. Besides perfectly describing my life (music is not only my hot, hot sex, it's my boyfriend; my imaginary friend; from all the shit, the one I gotta buy is music) it's just an great dance-rock/art-rock track.
12. Duffy - "Mercy" (#27 Hot 100 Chart)
If the organs and the strange drum track at the beginning of the song aren't enough to convince you that Duffy is part of the revived Northern Soul scene in the British Isles, then the throwback Dusty/Aretha smoky vocals should. Calling Duffy an Amy Winehouse without the crack pipe is overkill, for sure. But while her songs don't have the torrid strength of "Back To Black" between this minor US hit and the gorgeous ballad "Warwick Avenue" there is definite possibilities in the blond Welsh's future.
11. Robyn - "Be Mine! (Ballad Version)" (non-charting mix)
As if the original version of this song, from the brilliant album Robyn, wasn't heartbreaking enough, along comes this piano ballad version from The Rakamonie EP. The torch-fueled lyrics reveal further anguish through the broken vocals of the Swedish sensation. Either version should be on your iPod.
10. Katy Perry - "UR So Gay" (#1 Hot Dance Singles Sales)
In this biting indictment of a emo boyfriend who wears H&M scarves, MySpaces all day and is "so indie-rock it's almost an art" Katy Perry sashays her way into the hearts of fans of Lily Allen's breed of bratty pop. The kicker, while her boyfriend is so gay, he doesn't even like penis!
9. Sam Sparro - "Black & Gold" (non-charting in US, UK #2)
This electro-funk track from gay techno star Sam Sparro deserves some spin on his home turf, not just on Euro charts. The chorus is catchy as hell and a little nonsensical, but the synth beat is where it's at!
8. Santogold - "L.E.S. Artistes" (US B-side, UK #27)
Former A&R rep Santi White is a friend of one of my favorites, M.I.A., and appeared on one of my top 14 albums of last year, Mark Ronson's Version. So little wonder I'm in love with her future/retro-fetishizing album, and the B-side to lead single "Creator" which is also quite good. You can dance to it, sing along to the chorus "I can say I hope it will be worth what I give up" and laugh along with Santi at modern hipsters, those "fast talkers."
7. Doe Deere - "One Touch" (non-charting)
Brooklyn-based disco diva Doe Deere has been burning up the pop blogs, topping Electroqueer's chart for four weeks. Her music sounds like Blondie and Madonna fighting over a Depeche Mode cover band gig, or like every '80s hit ever. Plus, she has a free download of this stunning dance track on her MySpace, click on the link above to get there. Free music that's good? I'm so there...
6. Robyn feat. Kleerup - "With Every Heartbeat" (UK #1, Hot Singles Sales, #4)
It never fails to make my hair stand on end, this gorgeous techno ballad; emo-tronic if you will. The strings swirl around Robyn's voice and the beat underscores the sadness of the lyrics. When the string quartet gives way to the keyboard tones and Robyn bursts forth with "And it hurts with every heartbeat..." on the bridge I just want to cry. Seriously, I know I say this every week or so, you NEED to buy the Robyn album. It's finally available in all the record shops here in the states, not just as an import.
5. Estelle feat. Kanye West - "American Boy" (#35)
It's weird, but Estelle sounds like what Corrine Bailey Rae would sound like as a hip-hop artist. The electric guitar is used more as beat than melody, which is intriguing, and the line "Don't like his baggy jeans/but I'ma like what's underneath 'em" makes me chuckle. Sure Estelle, I'll be your American boy...
4. Amy Winehouse - "F*** Me Pumps" (UK #65, US non-charting)
From the US release of Amy's 2003 UK debut, Frank, comes this sassy R&B track about gold-digging hos who "walk in the bar/dressed like a star/rockin' those F-me pumps" but never find love. While her debut doesn't have the same number of insanely well-written songs on it as Back to Black this song ranks as high as "Rehab" in attitude and hooks.
3. Kerli - "Love Is Dead" (non-charting)
Kerli is from Estonia, which I understand is not as mud-and-swine filled as Dilbert would have us believe. Her stunning video for "Love Is Dead" is what first drew me to her, in it she ages backwards from an ancient crone to a young blond with lebre and tongue piercings. But the song, oh the song! Kerli's emotional meditation on the end if a relationship melds so perfectly with the huge drum loop and strings before bursting into the chorus of "Love is dead/love is gone/love don't live here anymore" sung by a creepy chorus. It sounds like she should be soundtracking Tim Burton films, which is a total compliment. The Kerli EP is available now on iTunes.
2. Goldfrapp - "A&E" (Hot Dance Singles Sales #1)
Wikipedia describes this as a folk-tronica song, and that fits as well any description. It's techno, but much more organic sounding. But the lyrics are what have me hooked. Intensely descriptive of a trip to the Accident & Emergency ward (hence the title) after a post breakup suicide attempt. At least that's what I get out of "I'm in a backless gown/on a pastel ward that's shining/think I want you still/but there may be pills at work"
1. Snoop Dogg feat. Robyn - "Sexual Eruption (Fyre Department Remix)" (non-charting mix)
All the best parts of the original are here: the absolutely filthy lyrics, Snoop's vocoded singing, the rap. But add in a new chorus by Robyn (making her third entry on my chart, cause she rocks so fucking hard!) plus a greatly improved beat (dropping the flutes, adding the funk guitars) and you have the best remix of the year. "Sexual eruption/cuddle up little pup/sexual eruption/mama's gonna sex you up" is so hard core, and miles ahead of Lil' Kim's remix.
Paulbo's Top 15 Non-Hits of 2006.5
15. Petra Haden - "An American Crime (End Credits Theme)" (non-charting)
Composer Ari Alan Lazer creates a brilliant "instrumental" piece to cover the end credits of the true crime film An American Crime. The instruments in question are Petra Haden's vocals, all A Capella and layered to create on of the scariest sounding themes I've heard, before breaking into an even creepier piano line. I've never seen the film, but if the music is this terrifying, who knows what the images will do to my brain.
14. Madonna - "Devil Wouldn't Recognize You" (non-charting)
From the opening bars to Timbaland's scattershot beat to the creepy pianos, this modern ballad (ala "Cry Me A River") is as haunting as possible. It wasn't easy to pick just one track off Hard Candy for this list, but besides the single "4 Minutes" this one of the very best.
13. CSS - "Music Is My Hot Hot Sex" (#63, Hot 100 Chart)
The thumping beat, the grinding guitar riff, the provocative lyrics, the obvious iPod commercial. Why this isn't a much bigger hit, I don't know. Besides perfectly describing my life (music is not only my hot, hot sex, it's my boyfriend; my imaginary friend; from all the shit, the one I gotta buy is music) it's just an great dance-rock/art-rock track.
12. Duffy - "Mercy" (#27 Hot 100 Chart)
If the organs and the strange drum track at the beginning of the song aren't enough to convince you that Duffy is part of the revived Northern Soul scene in the British Isles, then the throwback Dusty/Aretha smoky vocals should. Calling Duffy an Amy Winehouse without the crack pipe is overkill, for sure. But while her songs don't have the torrid strength of "Back To Black" between this minor US hit and the gorgeous ballad "Warwick Avenue" there is definite possibilities in the blond Welsh's future.
11. Robyn - "Be Mine! (Ballad Version)" (non-charting mix)
As if the original version of this song, from the brilliant album Robyn, wasn't heartbreaking enough, along comes this piano ballad version from The Rakamonie EP. The torch-fueled lyrics reveal further anguish through the broken vocals of the Swedish sensation. Either version should be on your iPod.
10. Katy Perry - "UR So Gay" (#1 Hot Dance Singles Sales)
In this biting indictment of a emo boyfriend who wears H&M scarves, MySpaces all day and is "so indie-rock it's almost an art" Katy Perry sashays her way into the hearts of fans of Lily Allen's breed of bratty pop. The kicker, while her boyfriend is so gay, he doesn't even like penis!
9. Sam Sparro - "Black & Gold" (non-charting in US, UK #2)
This electro-funk track from gay techno star Sam Sparro deserves some spin on his home turf, not just on Euro charts. The chorus is catchy as hell and a little nonsensical, but the synth beat is where it's at!
8. Santogold - "L.E.S. Artistes" (US B-side, UK #27)
Former A&R rep Santi White is a friend of one of my favorites, M.I.A., and appeared on one of my top 14 albums of last year, Mark Ronson's Version. So little wonder I'm in love with her future/retro-fetishizing album, and the B-side to lead single "Creator" which is also quite good. You can dance to it, sing along to the chorus "I can say I hope it will be worth what I give up" and laugh along with Santi at modern hipsters, those "fast talkers."
7. Doe Deere - "One Touch" (non-charting)
Brooklyn-based disco diva Doe Deere has been burning up the pop blogs, topping Electroqueer's chart for four weeks. Her music sounds like Blondie and Madonna fighting over a Depeche Mode cover band gig, or like every '80s hit ever. Plus, she has a free download of this stunning dance track on her MySpace, click on the link above to get there. Free music that's good? I'm so there...
6. Robyn feat. Kleerup - "With Every Heartbeat" (UK #1, Hot Singles Sales, #4)
It never fails to make my hair stand on end, this gorgeous techno ballad; emo-tronic if you will. The strings swirl around Robyn's voice and the beat underscores the sadness of the lyrics. When the string quartet gives way to the keyboard tones and Robyn bursts forth with "And it hurts with every heartbeat..." on the bridge I just want to cry. Seriously, I know I say this every week or so, you NEED to buy the Robyn album. It's finally available in all the record shops here in the states, not just as an import.
5. Estelle feat. Kanye West - "American Boy" (#35)
It's weird, but Estelle sounds like what Corrine Bailey Rae would sound like as a hip-hop artist. The electric guitar is used more as beat than melody, which is intriguing, and the line "Don't like his baggy jeans/but I'ma like what's underneath 'em" makes me chuckle. Sure Estelle, I'll be your American boy...
4. Amy Winehouse - "F*** Me Pumps" (UK #65, US non-charting)
From the US release of Amy's 2003 UK debut, Frank, comes this sassy R&B track about gold-digging hos who "walk in the bar/dressed like a star/rockin' those F-me pumps" but never find love. While her debut doesn't have the same number of insanely well-written songs on it as Back to Black this song ranks as high as "Rehab" in attitude and hooks.
3. Kerli - "Love Is Dead" (non-charting)
Kerli is from Estonia, which I understand is not as mud-and-swine filled as Dilbert would have us believe. Her stunning video for "Love Is Dead" is what first drew me to her, in it she ages backwards from an ancient crone to a young blond with lebre and tongue piercings. But the song, oh the song! Kerli's emotional meditation on the end if a relationship melds so perfectly with the huge drum loop and strings before bursting into the chorus of "Love is dead/love is gone/love don't live here anymore" sung by a creepy chorus. It sounds like she should be soundtracking Tim Burton films, which is a total compliment. The Kerli EP is available now on iTunes.
2. Goldfrapp - "A&E" (Hot Dance Singles Sales #1)
Wikipedia describes this as a folk-tronica song, and that fits as well any description. It's techno, but much more organic sounding. But the lyrics are what have me hooked. Intensely descriptive of a trip to the Accident & Emergency ward (hence the title) after a post breakup suicide attempt. At least that's what I get out of "I'm in a backless gown/on a pastel ward that's shining/think I want you still/but there may be pills at work"
1. Snoop Dogg feat. Robyn - "Sexual Eruption (Fyre Department Remix)" (non-charting mix)
All the best parts of the original are here: the absolutely filthy lyrics, Snoop's vocoded singing, the rap. But add in a new chorus by Robyn (making her third entry on my chart, cause she rocks so fucking hard!) plus a greatly improved beat (dropping the flutes, adding the funk guitars) and you have the best remix of the year. "Sexual eruption/cuddle up little pup/sexual eruption/mama's gonna sex you up" is so hard core, and miles ahead of Lil' Kim's remix.
Wednesday, April 23, 2008
New Duffy Video - "Warwick Avenue"
Welsh songbird Duffy has a Dusty Springfield vibe, an old-school soul sound like Amy Winehouse, without the crack. In this Dan Wolf directed clip for the follow up to "Mercy" she channels another girl-singer from across the pond, Sinead O'Conner, with a one-take (with tears!) performance of the break-up ballad "Warwick Avenue"
Watch:
Watch:
Wednesday, March 26, 2008
Is Duffy The New Winehouse?
After Universal decided to re-release "You Know I'm No Good" the stellar first single from Amy Winehouse's Back to Black it was only a matter of time before the other throwback white-soulstress from across the pond would make a splash here in the states. Duffy has grabbed hold of the UK charts and will not let go. MTV's Buzzworthy compared her to Dusty and Aretha, and I seriously wouldn't go that far, but she's good. It's a little more obvious homage in lead single "Mercy" to "Chain Of Fools" and "You Keep Me Hanging On" than Wino's stuff, but I'm feeling it more and more. Check the new video:
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