It's been brewing for a while now, and I guess as the most Kelly obsessed music blog I know it's time for me to discuss it. "Halo" vs "Already Gone"
It's the epic pop debate of 2009, is Kelly Clarkson's "Already Gone" a rip off of Beyonce's "Halo"? Kelly thinks so, and she is pissed. She told Canadian radio "No one’s gonna be sittin’ at home, thinking, ‘Man, Ryan Tedder gave BeyoncĂ© and Kelly the same track to write to.’ No, they’re just gonna be saying I ripped someone off."
Here's the thing, both songs were written and produced by producer of the moment Ryan Tedder. So some similarities can be excused. I can usually smell a Max Martin/Dr Luke collaborative prod/writ credit a mile away, the tend to have a rah-rah pop-rock sound. In fact, Kelly's own "Since U Been Gone" and "My Life Would Suck Without You" have a very similar flow and instrumentation, both produced by that team. Max by himself is a little harder to pin down. Lady Gaga producer Red One has a distinctive electronic sound, and his work with Enrique Iglesias sounds very much like Gaga's, while the song he produced for Sean Kingston bears only a slight resemblance.
But while a producer may pull the same trick out out of his bag twice, is that all the similarities between "Halo" and "Already Gone" are? I've been listening to both a lot, and I find more than just a passing resemblance. The verses have very similar melodies, the beat is identical. The same strings show up at different volume levels. There are some differences, "Halo" doesn't have a bridge like "Already Gone" but it's a lot closer than Tedder's previous productions like Jordin Sparks' "Battlefield" or his own band One Republic's "Stop And Stare." In fact, until I heard "Halo" and "Already Gone" I didn't think Ryan Tedder had a specific production style. Which is why the similarities strike me as lazy production, a chance to do about half the work for the same pay.
However, Kelly's emotional connection to her own lyrics (she co-wrote the lyrics with Tedder) makes "Already Gone" vastly superior to "Halo" so she should have had the upper hand in this battle. But since "Halo" has played for a long time before Kelly's single was released, it will sound like a copycat. And with Kelly distancing herself from the song, it will be hard to promote. I think Tedder really screwed up here, but in the end savvy listeners will love whichever song they connect with. Radio may be less accepting.
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